MTL - Tokyo Literature and Art Times-Chapter 25 "Ferocious Man" should be so direct!

   Chapter 25 "Ferocious Man" should be so direct!

   Although the copy was delivered on time, Sangu still had a bad impression of the film.

   Yakuza is really Yakuza.

  Mitani couldn't help but think that Takeshi Iwata did not have this problem:

   Could he be creating a sense of mystery?

  However, the first shot of the movie gave him a big punch.

   From the face of a vicious man, there is slowly an innocent little girl, and then. . .

blue.

   I can recognize that it is the sea of ​​Kanagawa, but this blue shot is really beautiful.

   Moreover, this man and the little girl, when they appeared in this picture, were unexpectedly harmonious.

   This is not a simple complement of appearance, there are many other things.

  Sangu thought about it a lot for a while, but he immediately realized that there might be many things he didn't expect.

   And, what is this movie called?

   "Ferocious Man".

   So far, there are no lines, the interaction between the fierce-faced man and the innocent and cute little girl only shows some smiles, mostly little girls.

   However, anyone can see who the violent man is referring to.

   This is the language of the camera, and the camera speaks the lines and gives an introduction.

  RB's film has no subtitles. This film has not been post-production that meets the screening standards, and there are no introductory subtitles. Besides, if you use introductory subtitles, it will be too bad.

   It's just the beginning, which made Sangu, a young screenwriter, unable to believe that this was something Yakuza made.

  …

  When the blue sea appeared, Shishoji Akio's heart was at peace.

   He really did not see the wrong person.

   That guy really has an idea.

   A scene without a single line, but explained a lot of things.

  Is this the violent man?

   However, he didn't appear here, could he... Shishoji's idea is, will Takeshi Iwata get into a fight?

   But I think it's impossible. At this critical moment, what kind of fight is there?

   Forget it, don’t think about it anymore, let’s watch the movie.

  …

  As a film critic, "Movie Xunbao" is also an old film magazine. She has really watched too many movies.

   But, the first shot of the film impressed her.

   In the current RB film industry, there are not many such supervisions who can shoot such a sea and the composition of the characters in it is very harmonious.

  It should be said differently. The current film industry is too impetuous. A large number of gangster films, as well as a large number of pink films, use large-scale and other exciting shots to attract attention, which is the current mainstream and a great drawback.

  So, for the movie in front of me, is Director Iwata the kind of guy who can settle down and make a good movie?

   "Ferocious Man" is obviously also a violent movie, what will happen after this?

   Give the audience a very beautiful and harmonious picture at the beginning, what will happen later?

   I didn't make Iteng wait any longer, here I come.

   On the streets of Tokyo, a 'homeless man' is enjoying dinner with a lunch box.

   Homeless people, beggars, these words are ugly, so there are "homeless people" in Tokyo.

   sounds better, doesn't it?

With a    touch, a football knocked over the lunch box of homeless people, and a group of children appeared.

   They are really just children, in their mouths.

   Beggar, beggar, old beggar!

   The homeless knew that he couldn't afford to offend him, so he had to flee with his own belongings.

  It's a pity that these 'children' didn't intend to let him go. They punched and kicked him for no reason. Even after the homeless fell to the ground, they ran over them with their bicycles.

   They are really still 'children'.

   This scene formed a strong contrast with the previous one.

   shocked Itanium directly.

   So, what's next?

  …

  Every year, the annual bad reviews are the most important.

   Kobayashi Ryoko of "The Art of Movies" understands this deeply, so the colleagues in the magazine will have a very strange behavior.

   Looking for bad movies.

   is like a beast, no, it should be like a fly to actively look for bad movies in the movie market, the more bad the better.

   Even, a movie was not bad, but they would give bad reviews.

Whether    is bad or not bad, the opinions of our film critics are very important, right?

   Therefore, no matter what movie you watch, including Ryoko Kobayashi himself, you will think in the direction of bad movies.

   Let’s just say, first think this is a bad movie, and then think of something else.

   But right now this movie…

   Kobayashi really did not expect that the lines are so few, but the content is so rich.

  Especially in the plot of the group of children beating the homeless, the protagonist finally. . .

   An ordinary one-family building, the hostess came to open the door, and the man with a ferocious face was standing outside, and he took out his ID.

  My wife, Ryosuke, is a police officer.

   Ryosuke asked, are your children at home?

   Of course, the hostess answered yes, and pointed out the room, but she was confused and kept asking what was the matter.

   Ryosuke didn't say anything at all, just entered the child's room.

   That kid was one of the beating people.

Then…

bump! bump!

   Fist, knee.

   The child was quickly beaten into a ball.

   "Bagaya Road! Do you know what to do?"

  The child nodded.

  Just like this, Kobayashi realized that Ryosuke, the male lead, had finally completed his entire self-introduction.

  This movie...so special!

  …

   Ichikawa Sarunosuke III, of course he came to observe Kagawa Teruyuki, the son he did not recognize.

   But unexpectedly, this movie deeply attracted him, especially my wife Ryosuke.

   Of course, there is also the impressive 'violence'!

   There are no extra lines, no extra burdens, no ink at all, just start typing.

   Maybe it's not good-looking, just like a policeman beating the violent child, but it gives people a great sense of refreshment.

   That's right!

   Such a **** boy should be taught a lesson like this!

  No, they were just… eh?

  Three generations suddenly realized that he was like a father.

   This is not good.

   Forget it, let’s continue watching the movie.

  …

   "Ferocious Man", the plot is really simple.

   After my wife Ryosuke taught the violent child a lesson, the child took the initiative to surrender to the police station.

   Later development, there appeared Kikuchi, the assistant of the younger brother played by Kagawa Teruyuki.

   The police chief's attitude towards Ryosuke is also very interesting, they hope Ryosuke solves the case, and even encourages his violent methods.

   And then, the killer Kiyohiro appeared.

   As soon as he came up, he killed a dude who wanted to bargain with him.

  This movie is not only about Ryosuke, but also Qinghong.

  The two of them uphold one principle.

   Don't push too hard, just do it!

   gives an unusual sense of refreshment.

   Of course, there are also contrasts.

  The person who Kiyohiro killed was discovered, and of course the police came to the scene to investigate.

   Ryosuke also came with Kikuchi, and the other teams quickly locked a dupe and wanted to get information from him.

result…

   The police from other groups have to be handsome in front of the target person, but that guy is a ruthless man.

  Boom, fist and baseball bat, making those handsome police pay a heavy price.

   Ryosuke is ruthless enough, even Kikuchi is too slow to drive, so he drives by himself, and hits the dude directly.

  Kikuchi also thought that Ryosuke was going too far, but immediately, the dude got up and smashed the car with a stick.

   Until the guy was put down, Ryosuke kept kicking fiercely, even Kikuchi came to pull him, and he kicked with Kikuchi.

These…

   Shimaya Cheng saw it, and he fell in love instantly.

   This is a very rare style!

  RB has many violent movies, but most of them have to go through a lot of cutscenes to highlight the protagonist.

  This movie is different, too crisp, too direct!

  Even, there are not many lines, and even, the plot is very simple.

   But, violence should be like this!

  …

  Kagawa still has a little bit of confidence in his performance.

   Actually, he cares more about the performance of other people.

   is that vicious guy.

   Qinghong is really scary.

   But there is another one, that is Kenichi Endo who joined the team with him.

he came!

   Ryosuke brought Kikuchi to the nightclub. They wanted to arrest some people and find clues.

   was really found by the two of them.

   A guy named Daisuke, he is selling goods, but this guy is an old fritter and doesn't admit his guilt.

   Ryosuke was very straightforward and kicked the man directly.

Then…

Snapped! Snapped! Slap...continuously, continuously, slap him!

   Kagawa was nearby at the time, and he was dumbfounded.

   However, he remembered very clearly that before the shooting, Takeshi Iwata had an exchange with Kenichi Endo, who played Daisuke.

  Slap, real or fake?

  Endo Kenichi is a very ugly looking guy who looks fierce.

   His big mouth finally spit it out.

  Please hit me hard!

   Kagawa understands that Endo is a little actor, a little-known guy who bet his future.

   23 slaps, a full 23, one heavier than one.

  Daisuke finally gave in, he spat out two words.

   "Rock Castle!"

   This is Ryosuke's police friend.

  Kagawa watched this scene seriously, and he had a feeling in his heart.

   This will become a film history classic, right?

   Thanks for the willful name change, the flying Dante, book friends... 2850, if life is like the first time, thank you for the reward, thank you for the recommendation ticket, thank you for the monthly pass.

   Sincerely thank you all, please rest assured, Wan Reward will definitely remember it, and it will definitely explode on the shelves.

   There are some small problems with the old book. I am sorry for the delay. The old book is about to end. I will try my best to code the new book. Please rest assured.

   (end of this chapter)