Kill the Sun-Chapter 821: Physical Suffering

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Potential and reality.

The relationship between these two concepts was the very basis of Zephyx.

It was similar to the concept of potential energy and kinetic energy in physics.

If a ball rolled down a one-meter-high incline, it had the potential energy to roll up another one-meter-high incline.

But that never happened because of interfering factors.

Wind resistance, friction, and so on.

All of these things used up the kinetic energy of the ball.

The difference between potential energy and actual kinetic energy was widened.

The ball lost part of its potential.

Its original potential no longer reflected reality.

If things were better, it could reach its true potential.

But things were not better.

This was how things were.

In a strange way, this gap between potential and reality could be used to create Zephyx.

It wasn't easy for Nick to wrap his mind around this concept since it didn't conform to the physical reality he understood.

Potential wasn't real.

It was just a made-up term.

Only reality was real.

However, the more advanced research became, the more surreal reality became.

There were particles that just randomly popped into existence before colliding with an opposite particle just to vanish again.

There were particles that could be in two places at the same time.

One particle could interfere with itself like it was a second particle.

These things made no sense.

And yet, one couldn't deny their existence when looking at the evidence.

In the same way, potential apparently was a very real concept.

This reality and physical existence of potential also validated the existence of suffering as a real thing.

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Suffering was generally described as an emotion.

A feeling of distress, maybe pain.

If someone cut off the branch of a tree, would the tree suffer?

Of course not.

Trees didn't have nerves, sentience, or feelings.

In the emotional sense, that tree couldn't possibly suffer.

But in a physical sense, it suffered.

The tree had the potential to have another beautiful and big branch, but that potential had been cut off by reality.

This loss of potential could be harvested and moved into something else.

Just like how an air conditioner moved temperature from inside the house to its outside, the creation of Zephyx moved potential from one thing to another. RãΝố

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