Cultivation by Trial and Error - Chapter 8 - : Missed Out on Hundreds of Millions?

Su Ying, a major general of the armored army of the last days, traveled through time, to the body of a scumbag who colluded with a scumbag to murder her husband. She was exiled as soon as she came, and she also gave her two children and a disabled husband who killed her every minute.

Small injury, big disability, Su Ying waved his hand, it’s not a problem.

On the way to exile, I didn’t eat or drink and was hunted down, so I was sprinkled with water.

With the material and space in hand, she has meat in her left hand and wine in her right hand. The assassins come one by one, and two kill one pair.

Treat the disabled husband well, raise a fat and cute baby, build mountains and houses on the wasteland, farm around the land, establish your own civilization and kingdom, and be your own queen.

After curing the illness of the disabled husband and letting him go back to Shangjing to clean up his grievances and regain everything that belongs to him, Su Ying and Li Shu dumped it on the table.

A certain king gritted his teeth and blocked others: Su Ying, you dare to leave and try!

The two cute babies rushed to hug Su Ying’s legs, “Mother, don’t you want your baby?”

Su Ying raised her forehead, well, then take it all!

George Sterling, once a successful lawyer turned actor, then turned magician, finds himself in dire straits as the rise of Artificial Intelligence takes away all his livelihoods. As he nears the end of his life, a family heirloom, a mysterious ring passed down from his father, transports him to an unfamiliar world seemingly distant from reality.

Upon awakening, George discovers a newfound opportunity that awaits him. Initially tasked with portraying the Wizard of Oz to survive, he delves into this new role. However, as he embraces his new identity, an even greater challenge lies ahead: he must venture into the realm of pretending to be a god.

This book uses characters and elements from L. Frank Baum's original Oz series which has entered the public domain and allows me to use them in my original book as long as I do not use the characters and elements from the adaptations that haven't entered the public domain.

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