MTL - Tokyo Literature and Art Times-Chapter 527 The real growth of a little boy

   Chapter 527 The real growth of a little boy

   About Takeshi Iwata making a comedy movie.

   Akira Kurosawa actually looked very open.

  Even, he was very, very looking forward to it.

   However, after all, this is Takeshi Iwata's first comedy filming.

   So, wouldn't it be funny?

  The previous "Fireworks" was still funny, but this movie is not a comedy.

  So, from a funny point of view, this movie has to have higher requirements.

   must be very funny.

result…

   Kurosawa Akira really kept laughing.

   This "Kiujiro's Summer" is really funny.

   It can be said that it is not just Takeshi Iwata, not just his bike betting.

   There are also free tours that show their clumsiness.

   And the others are also very shiny.

   Such as Xiaonin.

   Her performance was outstanding.

   Although, it always seems to be serious.

   But it is her seriousness that makes her actions seem very funny in these many absurd plots.

  Yes, it's not really absurd.

   There is really nothing absurd about this movie, this is clearly a movie about growing up.

   Therefore, a character like Shinobu is needed.

   She is like an audience, an audience just like herself.

   Followed Kijiro and Masao, and watched them grow along the way.

   And along the way…

   is so funny!

   Kurosawa couldn't help being teased, he really couldn't stop.

  You know, he is famous all over the world as a tyrant on the set.

   Also, he once committed suicide.

   Such a movie that can make him laugh, has fully demonstrated the power of humor.

   The key is that some of the plots are quite warm.

  Kiujiro brought Masao all the way, and the line seemed to be getting bigger and bigger.

   That middle-aged man with long hair riding a motorcycle... It's really funny.

   is just an image, and it can make people squirt.

   Then there is the man who plays the octopus.

  In addition to these, there are other people.

   Kikujiro, Masao, and a little policewoman.

   They also met a couple of young people.

   They are a couple, but they don't seem like good people.

  But, after they got along with Zhengnan for a long time.

  The man started his own performance.

   He is really funny. By doing magic tricks and dancing awkward dances, he makes this little guy, Zheng Nan, laugh non-stop.

  This young man is Masato Sakai. Although he didn't get the lead role, he also made a cameo.

   The main point that Kurosawa saw, of course, was not Masato Sakai, he saw what was behind this bridge.

  Japan is actually a very cold country.

  In this country, everyone seems to be very lonely.

   Of course, on the surface.

  Many people are very polite in their daily life.

   However, this kind of politeness, especially the very professional smile, not only did not shorten the distance between each other, but made everyone feel farther and farther away.

   This is indeed the case, and Akira Kurosawa will not defend his motherland.

  Because this is reality, any normal person can feel it.

   Laughter should actually come from the heart.

   If there is anything in this world that is the most ugly.

   That fake smile, definitely one of them.

   And in this movie, Akira Kurosawa sees something different.

   It should be said that from a realistic point of view, Zheng Nan is really a lucky little guy.

   Yes, so many people took the initiative to help him.

   Maybe it was because this little guy was so pitiful that it aroused the sympathy of many people.

   But, judging from his experience.

  Many people helped Zhengnan.

  Perhaps, these help seem silly, stupid, or even useless at all.

   But the smile on Zhengnan's face...is true.

   This is a thousand times better than those fake smiles!

   That's right, Akira Kurosawa saw the key to this movie.

   In this movie, many people don't have that kind of isolation, that kind of alienation, that kind of indifference.

   The guy in this movie, no smirk.

   Everyone is speaking from the heart.

   smiled very well.

   Moreover, the whole plot is also very funny.

   It's all really good.

   Akira Kurosawa watched, and naturally he couldn't stop laughing.

   He loves this movie so much.

   However, if the movie keeps laughing like this.

   That doesn't seem very good either.

The    logic goes like this.

  If a movie is just advancing in a rhythm, developing the plot.

   Well, even if this movie controls the rhythm well, it is difficult for this movie to be a masterpiece.

   As if the core of comedy is tragedy.

   There is nothing wrong with the sentence itself.

   Not only movies, but many cultural works are like this.

   is like literature.

  The text seems to be unhappy with the mountains.

   The plot itself needs ups and downs and waves.

   And so is comedy.

   It’s okay to just make fun of the past.

   However, this is also a kind of 'flat'.

   Akira Kurosawa actually likes works that make people laugh all the time.

  Smile for ten years, who would refuse?

  However, if you want to sublimate a movie.

   It is necessary to make the 'level' change a little bit, and there will be waves, which will make the movie more beautiful and more profound.

   This "Summer of Kikujiro" can be called a classic.

   So, where will this change appear?

   Akira Kurosawa is a movie master after all, and he actually made a judgment early in the morning.

  It must have been when Zhengnan found his mother!

   That's right, it must be here.

   Akira Kurosawa has absolutely no analysis error.

  However, it is this problem that is bothering film masters now.

  How to deal with this scene?

  How can I make a good film, what about the scene where Zhengnan meets his mother?

   It looks easy, but it is actually very difficult.

  Even, can be said to be the hardest part of this movie!

   As time goes by, the development of the plot on the big screen.

   Akira Kurosawa is looking forward more and more!

  …

   Finally, Zhengnan is about to see his mother.

  With the help of Kikujiro, the little policewoman and everyone...it's no different from making trouble.

   Masao came to the place he was most looking forward to.

   He had dreamed several times before.

  Although the old **** will also appear in the nightmare, more often he appears as a mother.

   Now, Zheng Nan really wants to see her.

  This is a country road, and at the end of the road is the address that my mother gave me.

   I can vaguely see my mother's house.

  Kiujiro and the little policewoman were by Masao's side, but they didn't speak.

  Eye is enough.

   Those encouraging eyes, anyone who sees it will be full of confidence.

   has been here, it's really good.

   Masao started to run.

   It's like when he was in Tokyo before, his calf kept turning upside down.

  But this time is different.

  I don't know why, when Masao was about to run to the end of the road, which is near his mother's house.

   He couldn't run.

   His steps were a little heavy.

   As long as you turn a corner, you can see my mother.

   But Zhengnan was very hesitant and hesitant.

   "Go."

   Kikujiro and the little policewoman also followed, and they encouraged Masao again.

  The faces of the two of them are full of that kind of particularly sincere smiles.

   Masao was still a little hesitant.

   But in the end, he nodded fiercely.

   A corner, a common house in Japan, appeared in front of Masao.

   This chubby, pitiful, grumpy kid.

   A smile appeared on his face.

   Finally got to see my mother.

   Although there were many twists and turns before, although there were many difficulties, but now I finally have to see it.

   You should not hesitate, you should not doubt.

  Suddenly, a house in front of Zhengnan's door opened.

awesome!

   Zhengnan was full of joy, and he was looking forward to it.

   However, Zheng Nan's face quickly solidified.

   This little child, did not move forward, just stood there.

   After the whole journey, the tanned little boy Zheng Nan, his small face at this moment did not change much.

   However, it will make people feel that he is so pitiful.

   What did he see?

   Mom, it is indeed a mom.

   A quiet and good-looking mother appeared, but not long after, two people appeared behind her.

   A man, a little girl.

   Their faces were full of smiles.

   Mother's face too.

  It turned out to be so.

   Because of this, my mother didn't come to Tokyo to see her!

   Masao understands everything.

  Mom has a new family.

  My own son has already been abandoned.

   So, do you still need to show up?

   I came here to see my mother.

   But, such a mother, do you want to bother yourself?

   At this moment, Zheng Nan seemed to be several years older.

   His small face is indeed still pitiful, but he is not what he used to be.

   If it was before, he would definitely not be able to bear it and run to his mother.

  Whether the other party is a harmonious family or not, it will be destroyed.

   At this moment, Kikujiro and the little policewoman came over.

   They both just saw everything.

   "Let's go."

   just said that.

   Masao nodded, turned around with Kijiro just like that, and walked back.

   At this moment, Zheng Nan did not cry.

   He really didn't cry, he was very strong.

   However, the little policewoman couldn't help it.

   This girl cried in a mess, but made no sound.

   Crying without a sound is so hard.

   She was twitching all over, but she kept on enduring.

   Then, what about Kikujiro?

  Bagaya Road.

   When this guy said this, he definitely scolded the little policewoman, but the little policewoman did not refute anything.

   She just kept wiping away tears.

   can be said to be accepted.

This scene…

  Many people are laughing, really, can't stop.

   However, many people did not realize that their plackets were wet with tears.

  Why is this happening?

  Why laugh?

  Why do you cry?

   is actually very simple, I was touched by the real feeling overflowing from the big screen.

   is like why the little policewoman is crying.

  Because I saw Zheng Nan went through all the hardships, but he still didn't recognize his mother in the end.

  It seems that all the efforts you have made before are all in vain.

   But, it is definitely not in vain!

   Everyone will have such an answer in their hearts.

   Everything that has been experienced is absolutely real.

   That experience is ten thousand times better than this result!

   And why laugh?

   Seeing the little guy Zhengnan, he is so pitiful, gives people a feeling of wanting to laugh.

   But that's not enough.

   The reason for laughing is not because it is funny.

   but gratification.

  The boy Masao has grown up.

   We saw this little guy, he really grew up.

   As Zhengnan has experienced along the way, many things seem to be magical.

  Kiujiro, the little policewoman, and many others, the team formed by everyone.

  Help Zhengnan and bring him joy.

   This is absolutely impossible in Japan.

  Japan is a really cold country.

   So, it's really magical.

   But it came to my mother.

   This is reality!

   Yes, this is the reality, many people actually guessed it before.

  Don't say, many of these people watching the movie now are famous supervisors.

   People like Shishoji and Morita Yoshimitsu must have guessed it before.

  It must be that the mother will not meet the male.

   must be the result.

  However, how does Zhengnan accept it?

   That's it, it's the scene on the big screen.

   Masao accepted the reality.

  He, a child, returned to the real world from a magical experience.

   Therefore, the growth of Zhengnan is of great significance.

   Kurosawa naturally guessed it a long time ago, and here, he hated himself a little.

  Why are you a famous supervisor?

  Why do you know this result for a long time?

  Why can't your perspective be an ordinary movie fan?

   The reason why he thinks this way is because when Akira Kurosawa was watching this episode, he unconsciously entered the director's perspective.

  What happened to the director's perspective?

   He was observing Takeshi Iwata's technique.

  How to choose the camera position.

  How to move the camera?

  How to tell the story?

   Akira Kurosawa could see clearly.

  Iwata Takeshi's technique is also very clever.

   At the beginning, he was given the back of the man.

   This is obviously the perspective of Kikujiro and the little policewoman.

   And then, Zhengnan started to run.

   In addition to taking close-up shots of the male's legs, the rest are shaking shots.

  Why does the camera shake?

   This is the male perspective.

   He was running, this shaking greatly enhanced the sense of urgency to see his mother!

   And after the mother appeared, Iwata Takeshi gave her a close-up again.

   In particular, he also used a high-speed camera.

   Make every movement of mother seem to be slow.

   Also, mother's new daughter, new husband.

   Their movements and expressions are frame by frame.

why is that?

   Because this is the point of view of the male.

  This must have been what he saw.

Every simple act of    Mom left a deep impression on Zheng Nan.

   Shooting like this...Sigokuichi!

   Kurosawa was very happy.

   He felt that he was seeing the wrong person.

   Takeshi Iwata, you are the man who shoulders the future of Japanese cinema!

   "Kiujiro's Summer" ends here.

   That man with such a heavy burden, what is he doing now?

  …

   "Ah, people are not coming."

   "Sister, I didn't expect you to be so powerful."

   "Okay! How dare you say that to me? Husband, you have to take care of this little hoof!"

   "No way, really don't..."

   Recently, Takeshi Iwata has been an otaku.

   It's just that there are two peerless beauties in his house.

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   (end of this chapter)