Domineering Mr. CEO and His Impudent Love-Chapter 2347 - 53: Once Begun, No Ending Allowed

Leslie Howard had already regained her composure at this moment.

She lifted her beautiful eyes and looked at the man who seemed to still be immersed in the role, his face dark and eyes burning with a fiery light.

What was David Redington thinking?

This wasn’t how the scene was supposed to go. They were in the lounge, and this wasn’t the right dialogue.

Leslie Howard probably had already forgotten that she and David Redington hadn’t discussed their lines in the lounge at all.

They had entered the lounge and started kissing, and when Director Henson came to knock on the door, they had gone out.

From beginning to end, they shared quite a few kisses, but not a single line of dialogue.

In fact, her and David Redington’s ability to smoothly carry on after the second shooting, without any preparation, until now,

was entirely due to their improvisational skills and acting prowess.

However, this kind of on-the-spot script alteration and performance was precisely what Leslie Howard preferred.

Because just now, everyone heard that she and David Redington were rehearsing in the lounge, and there was a kiss involved.

Kissing in private was definitely to serve the plot now being filmed.

If they performed strictly according to the script, this would be Alan Moore pushing Grace Smith away, and this scene would end here.

From beginning to end, it wouldn’t have had anything to do with them kissing in the lounge.

Hence, provoking Alan Moore to kiss her was something Leslie Howard had decided before the performance.

She just hadn’t expected that David Redington would immerse himself in the role even more deeply than she did.

After provoking him, he did kiss her indeed.

But now...to lift her up onto the office desk, gaze at her, and slowly start to undo his belt, what was going on!?

Not only was Leslie Howard panicking, but even Director Henson was flustered.

This was completely off-script, Grace Smith wasn’t the leading female role; Daisy Smith was Alan Moore’s true love.

But David Redington was already starting to undo his belt, clearly about to do something with Grace Smith.

And the previous attempt to call ’cut,’ which disrupted David Redington’s performance, left Director Henson without the courage to stop him now.

David Redington became an international superstar not only because of his extraordinary acting skills but also due to his occasional brilliant improvisations.

Director Henson dared not interfere with David Redington at this point, fearing that an abrupt halt would affect him.

But the plot couldn’t develop this way!

While Director Henson was as anxious as an ant on a hot pan,

in front of the camera, Alan Moore suddenly pinched Grace Smith’s chin. He looked at her, high above like a deity.

"Do I cut it? I can let you try right now. Grace Smith, remember... you started this game. Without my permission, you cannot stop."

In an instant, Leslie Howard suddenly realized.

David Redington’s words weren’t meant for Grace Smith in the play, but for Leslie Howard herself.

He was warning her.

Leslie Howard’s beautiful eyes tightened. She hadn’t expected that the usually professional David Redington would bring personal emotions into acting.

Was it just because of what she said to him before filming started?

Leslie Howard felt something was amiss, but there was no time to think further.

Because after he finished those words, Alan Moore in front of the camera pulled out the belt and threw it under the office desk.

Then, he pushed Grace Smith onto the desk and leaned over her.

At this point in the shot, all that was visible was a man and woman closely intertwined.

’Twin Flowers’ wasn’t a restricted film after all, and the rest of the story was left to the audience’s imagination.

[Strive for the next Chapter before 19:00]