While Others Cultivate, I Use My Multiverse System - Chapter 153: Ayda's recklessness

Tian Man Continent is a world of martial arts.

A young boy named “Su Yi” led countless yao (monsters or demons) and overrode countless families who had thousands of years of history.

He rose abruptly in the world as the brightest star in the sky.

He married beauties and walked towards the peak of of the world, and finally ascended onto the thrones of the ancient gods!

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In the distant Eldrathis Galaxy, a vast and uncharted frontier teeming with ancient ruins and deadly secrets, humanity is a small fish in an ocean of monsters. But that doesn’t stop treasure hunters like Clara Dravenmoor, a brilliant and reckless archaeologist, and the Safira's crew, from chasing lost relics buried in the void.Her latest mission? Recovering a priceless artifact from the ruins of Zhaaros, a hostile planet plagued by nomadic warlords and nightmarish creatures. But what she finds isn’t just a relic.It’s him.A pale, otherworldly man, locked away for centuries in a high-tech sarcophagus, covered in mystical markings and dripping with an aura of power that defies reality.He looks confused. No memories. No idea why he was trapped there.But he doesn't look angry.He looks eager.Excited to follow Clara in the Safira through the vast and magnificent galaxy.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.