What Do You Mean I'm The Captain Of A Yandere Mercenary Company? - Chapter 52: Why Not Just Grow Some?

The last thing Ariel expected after a weekend of binge reading was to be transmigrated into the same novel as the evil secretary who was bound to be eliminated.“It's okay, I can just disappear from the main story line and live a peaceful life.”However her hopes were shattered when a system barged into her mind and pushed her to fulfil the dead secretary wishes. The top one, capture the male lead.As she saw the formidable man sitting in his office chair with leisure, the full time student Ariel who never had an experience wirh boys thought with dismay.'This is going to be a difficult task.'However, it was this or deathSo she plunged into the journey of seducing the male lead, unaware that once she gained his attention no one would be able to save her from his clutches......Transmigration. System. Multiple Love Interests with a focus on the alpha lead. Possessive, alpha Male Lead and lots of face slapping. Fast-paced.

When Astrid transmigrated into the fantasy webnovel she once read, she found herself in the shoes of the story's most hated villainess, a character destined for a tragic end.According to the original plot, the Main Protagonist is hell-bent on killing her at all costs, her cunning step-sister schemes to throw her into the dungeon and usurp the throne at the first opportunity, and even her loyal caretaker has abandoned her.With enemies on all sides and time running out, Astrid realizes her fate is sealed unless she takes matters into her own hands.Determined to survive, Astrid decides to fight back, but as she begins to navigate this world, something feels... off. Why is the Main Protagonist, now showing her unexpected kindness? Why is her step-sister, who should be plotting her downfall, suddenly seeking her favor?••••••It's a yuri harem novel.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.