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... > They didn’t work together from the beginning like they did for , but thanks to Ko Hun’s groundwork, the rest of the work seemed to be smooth.

Ko Hun had transferred the cross-section of early 20th century modern France onto a flat surface, and it was up to Nathan Evans and his staff to bring it to reality.

Director Christine Norman’s heart raced at the thought of breathing life and story into a world that didn’t actually exist.

“You did a great job. It’s amazing, isn’t ...

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