Universe Infinite Canteen - Chapter 40 - Packaging

This is a story about a glutton and a second generation court official.

When her heart was pierced by ten thousand arrows, Wen Rou suddenly went back into the time when she was much younger.

With a wave of her pots and pans, the finest cuisines are created.

Make way, make way, the lady chef is here!

Wen Shouzhen: “Rou Er, the choice is yours to make! ”

Shen Yaoshan, “Choose me, choose me!”

Ren Yue, “Go away, I am her prince charming, not you!”

Wen Rou facepalmed, “Aiyo, ~(@^_^@)~”

- Description from Novelupdates

This is just a simple, sweet romantic moments.From A Silent Voice, I Want to Eat Your Pancreas, Your Name, Saekano: How to Raise a Boring Girlfriend, My Teen Romantic Comedy SNAFU, Durarara, and etc

The mountain man, an immortal, roams the peak of Qingyun.

In the furnace of Yin Yang, he refines, The Great Dao Path stirs within his heart.

Luo Chen traverses through the Cultivation World, empowered with a Proficiency Panel. With pill refinement and Qi refinement, he steps towards the Path of Longevity.

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After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.