The Support Ate it All - Chapter 111: Downtown Area (2)

Noah Brown had a gift for fighting. Unfortunately punching things didn't pay the bills, at least until he died and an Eldritch god found his soul. The encounter led him to a new world, summoned by bloody cultists, with nothing but the shirt on his back, and a strange item in his system menu.

[???] : A source of infinite potential.

Perhaps he'd finally get to put his gifts to good use.

Ceres, a magic swordman who has been treated as a burden in the party, is finally dismissed by Zect, the hero and leader of the party. He realized that all of his childhood friends belonged to Zect and there was nowhere for him to stay, so he decided to go off on his own…

However, he’s actually a reincarnated person and used to be much older, so he didn’t really bear it that much when he was expelled.

And he was… well, from here on out, you’ll have to read on to find out.

Ham Dani, a normal student whose hobbies were to read novels.

One day she woke up and find out that the girl next-door is as beautiful as a web novel protagonist.

And in school, there was the introduction of ‘The Four Heavenly Kings’.

The world changed into a web novel just over night, and Ham Dani’s role is heroine’s childhood friend 1!

“I just want to live normally, but why is everyone doing this to me!”

Due to a strong fate ‘The Four Heavenly Kings’ and the heroine entwines Dani’s everyday life.

And the results are?

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.