The Heavenly Demon Can’t Live a Normal Life - Chapter 234: Festival For Festival (5)

Yan Hua loses her memory in an accident. Later, she is pregnant with someone else’s child. After kicked out of her husband’s house, Yan Hua is about to perform the story of an inspiring mother raising her child. Unexpectedly, the baby is regarded as a real treasure and, thus a bunch of people are rushing to acknowledge as the baby’s relatives. Therefore, Yan Hua is drawn into the whirlpool of disputes inside a noble family with ambitious aunt and unproved mysterious brother-in-law… Who is the father of her child? Who is she? Facing all these issues, what is her choice?

- Description from Novelupdates

When Astrid transmigrated into the fantasy webnovel she once read, she found herself in the shoes of the story's most hated villainess, a character destined for a tragic end.According to the original plot, the Main Protagonist is hell-bent on killing her at all costs, her cunning step-sister schemes to throw her into the dungeon and usurp the throne at the first opportunity, and even her loyal caretaker has abandoned her.With enemies on all sides and time running out, Astrid realizes her fate is sealed unless she takes matters into her own hands.Determined to survive, Astrid decides to fight back, but as she begins to navigate this world, something feels... off. Why is the Main Protagonist, now showing her unexpected kindness? Why is her step-sister, who should be plotting her downfall, suddenly seeking her favor?••••••It's a yuri harem novel.

It’s a story about a man who got transported into a novel and possessed a slum boy. He met a noble girl and served her as a butler for 13 Years. Now the girl has already fallen from her noble life and lives in an abandoned mansion with paralyzed legs. Why did she become like that? Of course because she is the villainess in the novel.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.