The Birth Of A Villainess - Chapter 311 - Prince Zilin (2)

“I will have the 1,000 people I have chosen go to a parallel world.”

Chaos spread once those words of God were displayed to the whole world.

Kurose Hikaru, whose childhood friend had been chosen, was killed together with her on the same day she was supposed to be transferred. However, for some reason, Hikaru didn’t die and, even though he wasn’t chosen at first, he ended up as one of the [Otherworlders that will have all their actions live broadcasted to Earth].

Transferred without any preparations at all to that accursed land, he faced threats innumerable times and somehow managed to survive with his Gift, the Dark Spirit Abilities.

“I must not die. I am sure the people on Earth are all rooting for me after all…”

This is the story of a young boy who is tossed about by the gazes of the viewers, yet eventually manages to raise his head and walk forward.

After she noticed she was being chased after by a certain beauty, she bound herself to a System and started her quick transmigration journey…

After a countless number of worlds, the beauty was finally driven to villainy, and his long, elegant fingers pulled at his black tie…

Qinghe County master Gu Sheng died. She had a first class beauty, her name could move the world, but she still lost to the hands of a woman inferior to her. Gu Sheng was only able to understand that she was the antagonist of the heroine after her death, a cannon fodder.

In a pure white space, Gu Sheng was expressionless because of the transmigration.

System: “The heroine must change her fate, must fight against cannon fodder and the passerby to brush a sense of existence. As the master, you are their biggest stone in the way.”

Gu Sheng’s eyes flashed and made a peerless smile, “Then let me see who is the stumbling block that should be trampled and who is the final winner!”

- Description from Novelupdates

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.