Suppressing the Protagonist in the Start to Seize the Heroine - Chapter 4: Lin Xiaowan’s doubts and resentment!

“What? The wild chickens I raised are pure blood phoenixes? ““What? The carp I raised are true dragons?”With a wave of hand, the river was cut off; with a slight stamp of foot, the mountain collapsed.A group of incredibly powerful cultivators knelt in front, worshipping and calling ‘senior’.“What the hell wrong with this world?”Li Fan shouted,” Oh no, that’s impossible!”“How could I possibly be a Supreme Master?!”

[Ancient Setting + Light-hearted Comedy + Strong Female Lead + Coming-of-Age Heroine + Ensemble Cast + Political Intrigue + Patriotic Themes]Chu Tianjiao is the eldest daughter of a prestigious military family. In her previous life, she devoted herself to fighting for her country, but after death her soul was trapped in the imperial ancestral temple, unable to be reincarnated.She spends her days chatting, joking around, and enjoying a sort of posthumous glory with a group of royal ancestors.Once a novice at palace intrigue, she learns many things from these imperial forebears. Some teach her poetry and rhythm, others force her to memorize medical texts daily, while the rest regale her with stories from which she gleans the arts of political maneuvering and maintaining balance of power.The heroine grows stronger with each passing day.One day, a fire breaks out in the ancestral temple. The heroine leads the group of ancestors back to the present era.These ancestors were all emperors and empresses in their past lives. Their change in status after being reborn leads to all sorts of comedic situations.But your ancestors are still your ancestors, after all.Each possessing unique skills, they help the heroine crush her enemies and slap faces, vowing to change the fate of national ruin and family destruction from their previous lives.The heroine gradually sheds her rash personality from her past life, embarking on an unstoppable path of dominating the world.

Aren't you tired of the typical cultivation story, where an isekai'd person comes into the world and becomes a brutal or selfish person? I know I am. So instead of being fully changed by the world, I want this protagonist to stick to their beliefs and help to change the world (and people) for the better. There will still be main character development and tests of those beliefs, but I want them to maintain that aspect.

Brief Synopsis:

American is thrown into a typical Xuanhuan cultivation world where the masses of the people are typically sacrificed for the abilities of the few. This is meant to be an alternate take on how protagonists approach these worlds. Main character comes into the world w/ scanning, healing, and monster taming abilities.

The release schedule will begin on Dec 1st. The schedule is 2 chapters/week (Tue & Fri) at 11pm. Please like, comment, and follow, as that helps me to gauge interest in the series.

Final note: I notice that many cultivation novels treat abuse or sexual assault as a throwaway tool to set a stage. I think the way it is normally done is both lazy and a disrespectful to victims. If you have any suggestions on how I can improve the way I've done it in this series, please let me know.

I want to do this the right way.

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On an apparent normal Sunday, Luke suddenly woke up after hearing a voice warning him of something weird. After assuming that it was just a bizarre dream, he felt an earthquake that nearly destroyed his dormitory. As if things weren't odd enough, a zombie suddenly appears in his room and targets him.Somehow, Luke survived several encounters against the zombies thanks to his skill Weapon Augmentation, but then he suddenly finds a mini-sized elf and a mini-sized dark elf telling him that they want to help.After a stranger offer, Luke learns that something very big is happening with the planet, and now he will have to find the strength to fight against zombies and all kinds of weird creatures that want his neck... he will do all that while avoiding being tempted by those two very suspicious elves.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.