Stealing Heroines' Affections Is My Job as the Villain - Chapter 21: Worries of the Heart, The Fate of Those Closest

In her last life, Fu Xi was blinded by love, feeling no regret even as she cut ties with her family to marry a scumbag. Eventually bedridden by illness, she could only watch as her husband hooked up with other women, even bringing them to her bedside just to humiliate her. He killed her family members to gain their riches.

Fu Xi swore that if she could have another life, she would exact her revenge!

After her rebirth, she headed straight to the Gong Family and demanded that their young master—Gong Hao, who was paraplegic and bound to a wheelchair—marry her. Everyone laughed at her stupidity, but Fu Xi knew that Gong Hao was the only one who had earnestly loved her. On top of that, he was a very capable man!

Six months after Fu Xi married him, Gong Hao miraculously rose to his feet, reclaiming his family’s property and revealing multiple bombshells: he was the owner of the largest property company, a minister of national intelligence and an anonymous god of war!

Linking arms with her husband in front of the cameras, Fu Xi smiled.

“Why did you keep such a low profile before this, Mister Gong?” A journalist asked.

Gong Hao leaned in and gave Fu Xi a gentle peck on the cheek. “I was waiting for her to find me and save me…”

The boy who Sneaks in My Bedroom Window

Crossing to One Piece world, he became Roger’s younger brother.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.