Solo Cultivation in The Apocalypse - Chapter 220 Things To Hide

An Jing had transmigrated into the body of an ancient farm girl whom everyone could bully.On the day she crossed over, she was sold. Alright, seizing the servitude contract, stepping on her good-for-nothing parents, she held her freedom in her grasp, she was in charge of her marriage, she called the shots for her future—nobody could point fingers at her!An Jing assertively slapped her servitude contract onto the man beside her, “Keep it safe, from now on I belong to you.”The man: “......”The man doted on her. Whatever she wanted to do, she did, and they even teamed up to torment all sorts of scum. The couple's life was incredibly satisfying.It's just that the man's identity...(A gratifying story, with both strong male and female leads, 1v1 pampering)

Although born in a wealthy, powerful family, Shangguan Ning is motherless and loveless. Throughout her growing years, people use her for their own interests.

In a world fractured by conflict and haunted by shadows of the past, Kokushibo—the first Upper Moon demon—meets his end, only to awaken in a new life. Reincarnated as Crimson, a child born into a different family, he carries the memories of a past he cannot escape. Burdened by centuries of guilt yet indifferent to the present, he resigns himself to duty—until an unexpected bond with his newfound family begins to thaw his hardened heart. As he struggles between the weight of his past and the weight of the new life, Crimson must decide whether he will remain shackled to his former sins or embrace the possibility of peace.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.