Shinka no Mi (Shiranai Uchi ni Kachigumi Jinsei) - Chapter 142: COMPLAINT

My name is Qi Yuan, I am a time traveler and became the senior brother of Qise Peak.

I have a game jade slip that can connect to the heavens.

My eyes can see hidden information.

[This is an ordinary grass, but three days ago, Lord Kumu and Empress Dashang had a tryst there. 】

[Her name is Ruan Yixi. She may be your beautiful master on the surface, but she may actually be your wife. 】

[This is the way of heaven in the world, and it is the best spiritual creature to build the foundation of the way of heaven. 】

[This is a planet without life, maybe it can be refined into your golden elixir. 】

As a result, my path to immortality gradually became strange.

“Tiandao? Isn’t this the spiritual creature that builds the foundation of Tiandao?”

“There are so many desolate planets, let’s refine them into golden elixirs!”

Build the foundation with the way of heaven and refine the stars into golden elixir.

My name is Qi Yuan, the origin of all things!

…

My name is Jiang Lingsu. I joined Qise Peak with an ulterior motive. My senior brother has a problem with his head.

He doesn’t do his job properly, doesn’t like to practice, and is addicted to simulation games.

Senior Brother said, “Games are cultivation, and games can also create the world.”

One day, there was an extra sun in the sky.

I asked the senior brother what it was.

The senior brother said: “That is my golden elixir!”

This book is also called “Cultivation of Immortality: The Heavens in Jade Slips” and “The Golden Pill I Knotted is the Planet”.

- Description from novelbuddy

Kyoukai Senjou no Horizon chronicles the story of a futuristic civilization returned to Earth after constant warfare hindered them from traveling beyond the post-Apocalyptic Earth. At this stage, a small archipelago called the Divine States were the only hospitable land on Earth. In order to regain the space-faring technology they had lost after many years of war, they decided to recreate history with a book called the Testament as a guide.

It is the year 1648 in the Testament Era. Toori Aoi, Chancellor and Student Council President of the only academy on the airborne city-ship Musashi, faces the ten-year anniversary of the death of his childhood friend Horizon Ariadust in an accident. As he prepares to celebrate the occasion by proposing to P-01s (an automaton who looks exactly like Horizon) he discovers that his suspicion about P-01s’ appearance actually has a basis in truth; P-01s is in fact Horizon Ariadust, reborn into a robotic body. In addition to this, Horizon’s emotions had been stripped away and are now stored in eight powerful weapons called the Mortal Sin Armaments; which are now in the possession of key people in various established countries in the Divine States.

To retrieve the emotions of Horizon Ariadust, Toori Aoi along with his friends and allies begins a crusade against different obstacles as key events in history are recreated in a futuristic manner.

They said they came from out of nowhere. There were no signs of their arrival nor there were any loud sounds.

One day, Humanity woke up and was forced to accept their existence...along with the destruction they brought with them.

Ashton West, a orphan and a transmigrator from Earth. He woke up in this near-apocalyptic world without anyone else to rely on aside from himself.

Thankfully, he was blessed with a golden finger that came with his transmigration package!

Ashton: This world needs a Hero...sadly, I can't be bothered to be one.

Ashton: Surely there's someone out there who can fulfill that role. As for me? Well...

"Being 'Humanity's Strongest Backer' doesn't sound so bad."

***

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Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.