She Professed Herself The Pupil Of The Wiseman (WN) - Chapter 224: Comrade (1)

Suddenly, the unmarried twenty-year-old Ye Zhizhou had many more relatives, yet it was too late for him to clearly understand the circumstances as he nearly died in a car accident. After that, he somehow managed to survive and was even forcibly bound to a Salvation System.

How is it salvation?

Harems destroy worlds! Preventing a harem will save them!

. . . .

Ok, prevent harems. After seeing the entire system introduction, the corners of Ye Zhizhou’s mouth twitched. In order to return home safely, he decisively began his risky journey—he’d just treat it as if he was playing a large-scale strategy game.

Since then, the people the protagonist would rescue, he rescued first.The businesses the protagonist would make, he made first. The little brother the protagonist would take in, he took in first. The cliff the protagonist would jump off of, he jumped off of first. The gay s*x the protagonist would have, he’d have. . . . Wait wait, can’t do this one, change it, let me change it.

???: No, you can do this one.

Ye Zhizhou (alarmed): Who’s speaking?

???: Your husband.

Ye Zhizhou: . . . .

- Description from novelupdates

From the outside, Nana’s life seemed simple. She had everything she had ever wanted: a cute but rascally pair of twin brothers, a best friend, and her own restaurant. Nana couldn’t ask for anything more; she was happy and content in her life.

Shu Yu has passed through the book, and has become a poor cannon fodder who was implicated by the dead female supporting role and only appeared twice and was finally exiled for thousands of miles.

After finding that he could not change the result, Shu Yu decided to eat, drink, lie down and wait.

Who knew that the exile had not yet come, but she was suddenly told that she was not the daughter of the Shu family.

Her biological parents were peasant households who lived so hard to make ends meet that their house was leaking.

And the Shu family decided to obliterate her in order to hide her blemish.

Shu Yu: Come on, I can’t kill you.

Returning to his biological parents, Shu Yu finally sighed as he looked at the plate of pickles and a bowl of porridge on the table and placed in front of him, as well as his parents’ nervous and bewildered expressions.

You can’t lie flat, or you’ll starve to death.

- Description from novelbuddy

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.