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... hough they were strangers, she showed no fear on her face. Instead, she went near Grandpa Gen, who was holding a few plates and said softly, "Let me carry these. Your feet ache every spring. You'd better sit down."

Hearing these words, the four soldiers felt rather uneasy.

They were aware of Grandpa Gen's feet-ache.

It was the injuries that he had gotten from the battlefields that caused him severe pain every spring and winter.

This time, they were here to deliver ...

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“They Call Guys Like Me a Simp.”(Meanwhile, I’m out here living what their favorite MC only dreams about.)You ever notice how stories glorify the ones who feel nothing?The MC who never laughs.Never feels.Who plays women like chess pieces and calls it intelligence.He manipulates a girl? “He’s strategic.”He never opens up? “He’s mysterious.”He never flinches, never laughs, never lives —And you call that strength?Funny.Because to me?That’s just a prison in disguise.You see an “alpha.”I see a boy too scared to feel anything real.While they spend ten chapters monologuing about logic and sacrifice,I’m already making the Saintess scream,drenched in sin,halo cracked,legs trembling from truths her prayers never taught her.And I didn’t get there with cold eyes or control.I got there with laughter and chill. With warmth. With a grin and a hand on her thigh.I didn’t need to dominate her mind —I freed her heart.But that scares people, doesn’t it?Because readers trust the ones who suffer.Who stay quiet.Who kill without blinking and love without showing it.But me?I flirt.I laugh.I take hits and smile back, bloody and defiant, as if too weak to get angry.I don’t need to pretend emotions are weakness.I weaponize mine.Pleasure. Connection. Laughter.That’s my arsenal.And while your favorite MC is still calculating his next five moves,Trying to outwit death and romance like both are math problems,I’m already balls deep in the jade fairy — her sacred yin furnace clenching like it’s worshipping my shaft, her Dao Echo shattered into breathless moans, and her so-called cultivation path leaking down her thighs while she begs me to break her meridians again.You call that luck?Nah.That’s mastery of the three worlds.Because in a world that respects coldness,I came in hot.Where others manipulate, I connect.Where they posture, I play.Where they sacrifice, I seduce.So go ahead.Call me a simp.But while your genius MC is busy monologuing about destiny,I’m the one making goddesses question theirs —with a smirk, a touch, and no regrets.I’m not the hero.Not the villain.I’m just a simp… the kind who leaves your cold, emotionless MC’s woman dripping, ruined, and too stretched to go back to him.

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Life isn’t dramatic.

Takasugi Shinsaku once mentioned, “The mind to bring interest to an otherwise uninteresting world”, but if you’ll let me have my say, “An otherwise uninteresting world is also interesting”.

The world is just right with this level of boredom.

That is the conclusion to the results of my, Kagoshima Akira’s seventeen years of lived experience.

It’s not like anything’s ever going to happen.

I mean.

Witches from other worlds,

and cyber soldiers paying a visit from the future,

and psychics fighting under the instruction of research institutions

don’t exist, after all.

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George Sterling, once a successful lawyer turned actor, then turned magician, finds himself in dire straits as the rise of Artificial Intelligence takes away all his livelihoods. As he nears the end of his life, a family heirloom, a mysterious ring passed down from his father, transports him to an unfamiliar world seemingly distant from reality.

Upon awakening, George discovers a newfound opportunity that awaits him. Initially tasked with portraying the Wizard of Oz to survive, he delves into this new role. However, as he embraces his new identity, an even greater challenge lies ahead: he must venture into the realm of pretending to be a god.

This book uses characters and elements from L. Frank Baum's original Oz series which has entered the public domain and allows me to use them in my original book as long as I do not use the characters and elements from the adaptations that haven't entered the public domain.

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