Primordial: I, Dijun, Only Want to Build the Great Desolation - Chapter 14 - 12 Wu Tian (4,000 words)_3

She is a descendant of Shennong with unparalleled medical skills and possesses a unique treasure. He is a handsome warlord who mysteriously goes blind and is sly and cunning. Crossing into another world, she becomes a six-year-old little waste. Through defying the heavens with summons and forbidden magic, she rises up in one fell swoop, showing a dazzling brilliance, looking down upon the powerful.When arrogant meets cunning and genius clashes with monstrosity, at that moment, the world trembles in awe!

Derek Hart finds himself in an advanced world terrorized by extraterrestrial beasts called nightmares. Although he accepts a normal life the incident leading to his family’s death hurled his anti-climatic life into one that changes the future of Xon.

Teleporters, Superhumans, bionic humans, martial artists, no one is able to bring down a man with close ties to the soul force.

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Government intelligence agencies realized that Konrad, the world’s number one wife robber, was endowed with a supreme weapon allowing him to turn the purest of maidens into hungry beasts: The Golden Rod!

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.