MTL - USSR 1941 - Chapter 114 block

Here, only those with spiritual roots can cultivate while those with mortal roots are destined to stay mortal.

Mo Wuji only has mortal roots, but will he only remain as a mortal?

[Reformatting World Settings...][Real-World Currency Disabled.][Physical Laws Adjusting to Game Protocols.][Initiating Player Culling Sequence...][All Players Age 60 and Above Will Now Be Eliminated.]A blue screen appeared before every person in the world, displaying those chilling words.At first, many believed it was some kind of elaborate hologram prank—until every person aged 60 and above disintegrated into glowing particles.But that was only the beginning.The world had changed. Humanity had been turned into “players” in a twisted system where survival meant leveling up through killing others or completing brutal quests. Fail to level up in time—and you're dead.Shinra Takamura, a 20-year-old survivor in this new Filthy World, receives a rare skill Lewd Reap: the ability to steal another player’s ability through intimacy.But can he survive the chaos, the betrayals, and the moral decay with such a controversial power? Or will the world break him before he ever learns how to use it?Read on to find out.This book is a smut novel with a solid plotline, set in a world of survival and extremely gory scenes. The main character is no goody two-shoes—he’ll do whatever it takes to survive. He’s not evil, though; he doesn’t kill without reason. The story begins with his transformation, showing how a once-good kid was shaped by a brutal world into the person he is now. Hope you find it interesting (:->

Ukei Kaito fought a desperate struggle in order to fulfill his role as a summoned hero. He defeated the Demon Lord and saved the very world, only to meet an end filled but with betrayal. The companions that he’d trusted throughout his journey betrayed him and killed him by sticking a blade through his chest.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.