MTL - The Most Shining Little Chicken in the Wolf Palace - Chapter 24 024

I, Lu Li. had an agreement with the system; once the plot was completed, I could go home, but the system played me dirty.

Demanding another round, claiming the plot had gone awry.

Let’s perish together, scumbag system.

You’ll never see me endure such humiliation again.

Sadly, I didn’t die.

Filled with rage, since you won’t let me die, then I’ll make those who once shamed me, hurt me, and betrayed me in haste, pay the price.

The protagonist is not humble, not clinging…

“I have to squander; otherwise, won’t it be a waste of my parent’s talent at earning money?” Hong Dali answers a reporter’s question matter-of-factly.

Just after the interview ends, Hong Dali opens the Great Prodigal System’s interface and looks at the various good stuff displayed in it. Stroking his chin, he mumbles to himself, “I just need to squander 200 billion yuan more to exchange for the blueprint of the core technology, Engine Destruction, found in the strongest humanoid mecha weapon, Neo Granzon. Looks like I’ll have to work harder!”

“I want to splurge! I want to squander!”

Qi Le – gender: male, sexual interest: women – suffered from congenital heart disease and died early. However, God played a small trick on him and placed his soul inside the body of a trashy shou.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.