MTL - Tales of Herding Gods - Chapter 14 Elemental quenching

He is the ruler of the mercenary realm, an overlord that gives headaches to the leaders of any country! For the sake of his friends, he’s willing to sacrifice himself; for the sake of his family, he does not hesitate to spill blood! He is a dragon, one that soars above even the highest of heavens. He’s a power that advances triumphantly through unstable situations, stirring up both the winds and the waters.

Zuo Chengan was thrown into a brutal survival game, only to awaken its sole god-tier skill: The Eye of Truth.From that moment, he began to see the game—and the world—for what they truly were.A broken branch lying by the roadside?Ordinary players: “Just a useless stick. Toss it aside!”Zuo Chengan: “A hidden NPC is offering a feast of rare delicacies.”A suspicious dish placed before the group?Ordinary players: “Don’t touch it! It’s probably poisoned!”Zuo Chengan: “Completely safe. And utterly delicious.”A monstrous creature blocking their path?Ordinary players: “Terrifying! Avoid it at all costs!”Zuo Chengan: Silently studies its hidden weakness.What began as a game to push humanity toward evolution revealed itself to be something far more sinister—a trap, a scheme of ruthless exploitation.The desperate battles fought in the game’s dungeons were nothing but a spectacle, staged for the amusement of another world.With his all-seeing Eye of Truth, Zuo Chengan ascended through the 12 Heavenly Trials, dismantling the web of lies spun by the false gods. His piercing sight exposed the malicious truths behind the game.Standing at the summit, blade in hand, he declared, “I will cut through this endless night, tearing apart the shadows of chaos to reveal the light of truth. Let the world see reality once more!”

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.