MTL - Rise Recovery Era - Chapter 120 The 7th pattern opens

Luan Bednicker, the youngest son of the “Great House.”But… I have no blessings?“The Failure of the Lord of Blood and Iron”“The Fool of Bednicker”I wandered seeking a place to die, away from the clan’s contempt.But then…“You? You’re my disciple, you little shit.”The greatest of all time.The one unparalleled among men.The perfect superhuman.I became the youngest disciple of Baek Nogwang?

A young man with an extraordinary mind is off on an exciting adventure when he mysteriously wakes up in the body of a feeble slave-guy in a different, rich in quirks world.

The main character, a selfish jerk, would use extreme means to achieve his goals. However, he never allows his base instincts to overrule his sense of decency. He always pays back both good and bad deeds.

Will his (terrible/excellent) mentality help him make a fresh start? Will he get through misfortunes and hardships of the new world?

Seventeen-year-old Hajime Nagumo is your average, everyday otaku. However, his simple life of pulling all-nighters and sleeping in school is suddenly turned upside down when he, along with the rest of his class, is summoned to a fantasy world!

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.