MTL - My Mr.Mermaid - Chapter 70 Start reading

“Why didn’t you tell me?”“Tell you what, Richard? What would you have done?”“I don’t know. Apologized sooner? Bought you a burger to make up for it?”Her eyes lit up with fire, “You think what you did to me… you think a burger can make up for it?” her eyes twinkled like she was fighting tears. Did I hurt her that badly? I was just a foolish teenager.“Nita, I am sorry. I was young, I was stupid. I wish I could take it all back and tell you how I feel instead of being a constant jerk to gain your attention.”“How did you feel that would justify what you did to me?”I paused for a minute, finding the words. “I had a huge crush on you at the time. And I didn’t know how to express myself. I was full of myself, I was the school’s ladies' man and the one girl I had eyes for didn’t even care if I existed,” “And that justified what you did to me? Richard, you broke me. I can forgive you for ‘accidentally’ spilling your ice cream on me, or throwing my due assignment in the toilet, or the gum in my hair, or the glue in my chair but tell me how can I forgive you for what you did that night? Tell me!”“What night? Nita, what are you talking about?”“Remember when you asked me if I knew who sexually assaulted me?”I nodded, but what does that have to do with anything? The more we spoke, the more confused I became.“You did and I cannot believe that you would stand there and pretend like it didn’t happen!”Nita has spent years trying to forget the torment she endured at the hands of Richard. When her family’s financial ruin forces her into an arranged marriage, she is horrified to find out the groom himself was her bully.Richard, a charming and successful businessman meets the first woman to be repulsed by him. Intrigued, he proposes a deal of a one year marriage of convenience.Navigating life as a couple, old wounds reopen, buried memories surface. As Richard learns more about his wife, he finds that he has enemies that followed him from his past to continuously cloud his wife’s judgement.Will Nita believe the truth and bury old wounds or will the pain of the past prove too strong to heal?

Fate, a gatekeeper who had been working for the castle, is beset by a few burdens.

The heroic person, with the ambition of the jackal, is a heroic person.

Astur Bader: The Brood of Alienation and Flesh, Lord of Death and Slavery.

When the two coexist together and wake up in the world of “ONE PIECE”, these heroes will rise together, and the magnificent sea will bury many bones. It is to become a pirate, to follow the current, to stand on the top of the tide; or to start from A tiny navy, hitting the water in mid-stream, conquering the wind and thunder of the four seas.

The pirate is realistic, the golden finger is the mother’s nest, similar to the nest of the interstellar zerg tyrants, and will gradually establish a base, the BOSS-type protagonist, does not follow the ship, and gradually climbs to the top by means of tricks, not smearing the straw hat group is only this, Enemy or friend only depends on the protagonist’s position at the time. There are right and wrong, but it is more beneficial. Realism is to create and restore the most real and cruel face of the pirate world on the basis of animation.

You can read it even if you haven’t read the original, it doesn’t matter.

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- Description from novelbuddy

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.