MTL - Morning of Swordsman Tower - Chapter 169

She was reborn in the 1970s, when there were no mobile phones or TVs, people lived in poverty and marriages were arranged by families. He, the wealthy and powerful head of the regiment, who governed the local army, helped her join the army so that her family would no longer be bullied and could live a good life. And Suddenly, he proposed marraiage to her...

If a man ‘Levels Up’, any boring work can be repeated endlessly―Natsuno Taiyou.

“Talent” should be useful only in game, but even in reality how is it useful!?

When Taiyou woke up he received a power from a fairy “The ability to Level Up in the real world”, but immediately when leveling up boring work, surprisingly ‘charm’ had dropped down!―However, the charm level that was originally 0, has thank god become ‘65535′!

Taiyou aims to level 100. And enjoy a harem life with seven brides.

Madeline Celeste d'Aumont is the first daughter of Duke Aumont and Duchess Louise-Marie d'Aumont who has been engaged to the Second Prince of Pays Des Abrutis since she was a child. The Second Prince decided to marry a woman closer to his own age and broke off the engagement to Madeline who was left with a broken heart and a reputation as being an unwanted woman even before she was an adult. The Duke decided to help his daughter regain her confidence and reputation by sending her to the Academy de L'échec.

Ito Aoi was the son of a Kendo master who ran a dojo in downtown Tokyo. One day while crossing the street to get some Yakitori, Aoi was hit by a delivery truck and woke up as the trash first son of Duke Montfort, Guy de Montfort. Duke Montfort also sent his son to Academy de L'échec only Aoi instantly recognized that he was now living in the world of an Otome Game that his sister loved to play and talk about all the time. Aoi recognizes that Madeline is the villain from the game. Aoi also recalled his sister saying that Madeline was terrible in the game, but is she really?

Gu Shishi, a master of traditional Chinese painting, transmigrated into the role of a cannon fodder in a cliché novel.