MTL - Mistress, I Was Wrong - Chapter 26 Framed (1)

Lynn embarks on a fantastical journey to a realm reminiscent of medieval Europe, yet infused with extraordinary magical abilities. Here, the very fabric of reality is governed by the enigmatic theory of magic, which harnesses and manipulates fundamental particles.

In this world, wizards, who are essentially scientific spell casters, find themselves locked in a relentless battle against the oppressive Church.

However, when Lynn arrives, a harbinger of an otherworldly Renaissance, the tides of change are set in motion, unveiling a thrilling tale of discovery, intrigue, and the struggle for enlightenment.

I want an S-Rank skill too! I want it so badly, I could die for it!

Sword God, Ahn Suho.The greatest swordsman player in humanity was, surprisingly enough, a civil servant hunter belonging to the Korean Hunter Association.Suho chose the path of a public servant purely to end the gates.Perhaps that’s why?When one of the disaster-level gates, called the final gate, was attacked,In an ironic turn of events, he was betrayed by his comrades.“You should have joined us from the beginning. Now I know why people say that civil servants are so inflexible.”The reason his comrades betrayed him?Because if the gates were closed, their power would disappear.Is this the end?Just as Suho’s consciousness was fading away,[Rebooting Player Ahn Suho’s system.]The system gave Suho one more chance.A chance to go back to the past and set everything right.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.