MTL - Fast Travel Wanted: Don’t Get Angry with the Blackened System - Chapter 2037 The young marshal always likes to make trouble for no reason (43)

“You need my help, Tesoro. You choose. A marriage with me or be torn apart by them” His voice was cool as though this wasn't a matter of life or death.I didn't want this life. My father had gambled a lot and left me with a lot of enemies and now I needed the help of Don Vincenzo LaRosa who was my high school bully and now the Don of the most powerful mafia family in Italy if I was going to survive it.It was just a marriage of convenience but I realized something. He wasn't helping me out of a good heart. I had been sold without my permission to him. I was the mafia's pawn.

This book takes you on a tour of one of the most terrifying yet also most mysterious planes in the Multiverse: the Bottomless Abyss. ------------ A Knight, forsaken by his liege, was forced to exile himself to the Abyss. Due to a fortuitous encounter, he obtained the legacy of a Spiritual Cultivator. What kind of story will he encounter? ------------ The setting mixes the backgrounds of editions 3 and 5, adhering strictly to DND settings apart from the protagonist’s profession, but considers readers who have never participated in a campaign, ensuring that everyone can read it without barriers.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.