MTL - Blessed Marriage and Pregnancy: Young Master Jing’s Wife Is Wild and Flirty - Chapter 198 He erected a tombstone for her

When I woke up after being transported to another world, I am suddenly the antagonist? This script is wrong! I stole the other guy’s girl! I also have a super strong big sister! This script is even more wrong! There’s even an Overgod Space, along with the infinite worlds? I must be dreaming! Wu Ming calmly maintains his neutral expression and journeys ever onwards.

Pei Shu'er finds herself transported into a novel, embodying the notorious role of the Heir's wife. Her husband, the Young Master, is destined to become a charming, powerful, tragic, and disabled villain. Currently, he lies gravely injured and unconscious, and Pei Shu'er is the very catalyst for his dark transformation.From the outset, her husband attempts to strangle her!Surrounded by a family of the elderly, the young, and the injured, Pei Shu'er reluctantly takes on the responsibility of providing for them all. In her left hand, she wields life-saving materials worth billions from her spatial realm; in her right, she brandishes silver needles with the skill to heal the dying.She opens shops, promotes trade, advances technology, and builds cities, transforming the desolate land into the first city defending the border. Single-handedly, she fortifies the frontier and earns the reverence of all as Miss Pei.After curing the villain's leg ailment, he rises through military achievements to become a Great General, and later expands his territory to become the supreme emperor. Having repaid the debts of her original self, Pei Shu'er believes their obligations are settled and presents the divorce papers as per their agreement.The villain, who once sought to strangle her, now stubbornly pulls her into his embrace. “My heart belongs to you. Where else do you think you're going?”

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.