Loving Madeline - Chapter 271 - Wanted To Come Home

Ezekiel died on Earth only to be resurrected in the body of a Lich

Well, now he’d done it. He was only playing the villain to blow off steam, now he was stuck in the body of one.

Trapped in a hostile world, Zeke must flee his former guild. The problem is, he can only flee into a holy kingdom ruled by the Church of Olattee. Out of the frying pan and into the fire.

Only his power is gone, and he must start over.

Well…. Mostly anyway, he is still a lich after all and he still has his weapon, Mercy, which is more powerful than even he knows.

……………………………………………………………

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Rex was an ordinary salaryman, resigned to a dull life of monotony in a towering megacity. But his world shatters when he’s conscripted by Nexum Dynamics, a ruthless megacorporation, and thrust into a brutal war for a barren, alien world. The planet holds unimaginable riches, but it’s also swarming with the Krhyssari, an insectoid race that dominates the surface with their hive-mind precision and relentless aggression. Amid the carnage, Rex had an extraordinary encounter with Cleo, an ancient AI, a survivor of a long-extinct civilization. Cleo isn’t just an artificial intelligence; she’s a consciousness imbued with memories of her people’s interstellar empire and equipped with advanced bio-nanotechnology. Offering Rex a new purpose and unmatched power, she transforms his fragile human body into a hybrid of living metal and flesh, making him the ultimate weapon. But Cleo is more than a tool of war. As she journeys alongside Rex, her cold, logical algorithms evolve, shaped by his humanity. Together, they form a bond that transcends the boundaries of man and machine, discovering love in the midst of chaos. As Rex and Cleo fight for survival, they uncover a shared ambition, to rise as intergalactic overlords, uniting or conquering the galaxy.

Is it wrong to face the perils of Dungeon alone, in a single-member guild blessed by a failed goddess? Maybe.

Is it wrong to dream of playing hero to hapless maidens in Dungeon? Maybe not. After one misguided adventure, Bell quickly discovers that anything can happen in the labyrinth-even chance encounters with beautiful women.

Only problem? He’s the one who winds up the damsel in distress!

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.