Lord Of Succubi:Transmigrated As A Dual Cultivator In Isekai Of Magic - Chapter 404 Lurk

Lan Anran was sent to the countryside by her parents when she was young. In her past life, she was filled with hate and did not end well.With a chance to relive her life, Lan Anran swears that she will never repeat the same mistakes again. On the surface, she is a medical genius and school beauty, but behind closed doors, she is a hacker and master hypnotist. Lan Anran will do all it takes to protect her family and cure her husband, Mo Jinrong."Master Rong is old and ugly, he isn't as fresh and tender as you are. Quick, give me a kiss!" Mo says."Miss Lan, please have some self-respect! Stay… Stay away from me!"

Living things really are ignorant – the greed to obtain the key to knowledge and the fundamentals of energy overpowers them. Little do they know that knowledge is full of lies and energy is the root of destruction. Us, mages, have mastered travelling through space and time. We are invincible, we can turn worlds into dust and you, mere ants, will be wiped out with no trace.

-Mage Adam

An A.I.(Artificial Intelligence) gets reincarnated into a world where he becomes a mage.

“Honey, it’s time to take your medicine!”

The beautiful and pure saintess brought medicine to treat the wound.

On this day, he saw betrayal with his eyes, and experienced despair with his soul…

From this day on, the brave is dead, burn paper if something happens!

- Description from novelbuddy

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.