Lord of Mysteries 2: Circle of Inevitability - Chapter 1141 - : Divine Kingdom

Cultivators all have a soul beast, one that awakens at 13 years old.
However, Ye Chenfeng lacks one and is subsequently banished.
Ye Chenfeng obtains the favor of the heavens after years of humiliation.
With his gifts, he will walk his path to the strongest.

- Description from Novelupdates

Having found herself caught in a dispute between two goddesses, follow Olivia as she ends up being transmigrated to a strange new world called Khallasia as another species.

This world contains many different races, from humans to elves and gnomes to beast-kin, along with monsters such as goblins and ogres.

Starting anew in this world with no possessions, she will try to live her life in a world that vilifies the races that make up her species.

Her journey will include having to learn to fight in a world where death is frequent, wars are brewing, and slavery, while illegal, is a common occurrence.

She will face many foes, from wild animals to full-fledged monsters, as well as bandits and robbers to knights and adventures, while she tries to find a place to call home.

With only her appearance changing, her mentality to do good deeds remains the same.

Whether this can continue in this new and more violent world is another story, especially since the urges that plague her species will soon start to plague her.

Warning: This is a harem, yuri novel where the MC is also a futanari.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.