Level 4 Human in a Ruined World - Chapter 358

Humanity has conquered half the galaxy and the Age of Mechs reigns supreme!Ves Larkinson lacked the genetic aptitude to become a famed mech pilot. Fighting against his fate, he studied mech design in order to express his love for mechs as a builder instead of a soldier.When Ves graduated from college, he returned to a new but empty boutique. Left with a small, newly founded mech workshop that his father painstakingly built with a mountain of debt, Ves somehow needs to make ends meet with the bank breathing down his neck.In the midst of his despair, he found salvation from another legacy his father had left."Welcome to the Mech Designer System. Please design your new mech."--Join The Mech Touch's unofficial Discord server: https://discord.gg/APB5KCU

In the distant future, the world was in ice

Humans live in cryo facilities underground, awaiting for the distant Spring,

Robots manage the facilities

They built a ‘village’ there and lived there.

They dreamed that, one day, they would live together with the ‘Humans’ (Master).

This, is the story of the Ice Country.

Shi Hao, a young man, managed to turn the tables on a powerful figure trying to possess him. He gained countless cultivation techniques, martial skills, formations, alchemy knowledge, and talisman arts, setting him on a legendary path.Now, every genius and tyrant must bow before him.Those who refuse? They'll be eliminated!

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.