Last Shelter Online - Chapter 160

The pessimistic and negative daughter of a concubine living in the ancient times thought – since life is so difficult, why should one invest serious effort in struggling to live?

The life of an ancient noble woman is often determined and controlled by her family. Moreover, one’s actions often implicate one’s entire family – thus, it is fairly common to see an unexpected calamity result in suffering borne by one’s whole family. Managing to live a good and successful life while retaining one’s dignity is simply too difficult to achieve.

Ah, living in the ancient times is simply too dangerous – we should all just sleep till we die.

Su Wan is a Realm Destroyer. She shuttles to different time-spaces using the identity of the “Cannon Fodder Ex-Girlfriend”, dedicated to plotting how to happily tear apart the male protagonist and the female protagonist. –There’s no such thing as protagonists who can’t be torn apart, only Ex-Girlfriends who don’t work hard enough~

- Description from Novelupdates

Be an Uber driver, one Pagani Zonda rewarded.

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.