Lady Lin's First-ever Journey to Immortality - Chapter 550: Yinshan School in the World of Cultivation

Nanzhi only thought she had traveled into a novel about raising a child. Relying on her many years of “Wilderness Survival” watching experience, she hunts rabbits up the mountain for grilling every day, gropes for fish in the river to make soup, and diligently raises the child. Just when she thought her life was finally looking up and she could have her “second spring”, the “husband” who was rumored to have died hundreds of times suddenly appeared. Wait a second!She seems to have ended up in a novel where the male lead is the main character!Nanzhi? Isn't that the cannon fodder and deposed wife?PS: Not a web novel about farming, the female lead doesn't have a golden finger space system. Just turned eighteen and got into university, not a novel about a powerful female protagonist.

In a world where most wolves her age have already found their mates and embraced their destined roles, one she-wolf remains unmated—not out of bitterness, but because a deeper calling stirs within her. Haunted by a vivid dream that feels more like a prophecy than a passing vision, she begins to question whether her life was meant for more than becoming someone’s Luna. As her family pleads for caution, she stands at a crossroads: remain in the safety of the familiar, or follow the pull of fate into the unknown, where purpose, danger, and destiny await.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.