I Returned, and Now I See Strange Things - Chapter 58: Rider

It is an age where monsters walk the earth and animals mutated by an extraterrestrial microorganism from Mars. Humanity is decimated and retreats to its last few cities, clinging on to survival. However, in the greatest moments of despair, there is hope. The Warriors, an elite group of humans who have defeated the monsters and gained powers that bring their abilities beyond that of humanity, stand in defence of the species. Yang Tian is a young man with dreams of becoming the greatest Warrior.

After suffering a setback in his dreams, he found a dragon egg that belonged to his grandfather. Amazingly, the egg hatches, and Yang Tian is suddenly granted the power of a pet dragon! However, the world is cruel and dangerous, and Yang Tian must overcome not only the threat of monsters, but also of other Warriors who want to see him fail. Can Yang Tian and his pet dragon overcome the numerous challenges in this brave new world?

Right after transmigrating into a parallel world, Yang Yi was a bit stupefied upon seeing a adorable little girl calling him father. Fine, Xixi is 100% my daughter, but my child’s mother is actually an aloof, absolute beauty who’s a famous singer.

After 50 years of being in the position of Hwacheon Clan Leader, Kang-hyuk, widely renowned as 'The Dragon' retires.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.