I Have Awakened The Deduction System - Chapter 93 - First Time To The Freedom City

“You’re my wife in name only, on paper only. My heart and love will never be yours.”

Edward made it clear to Daisy that she was nothing to him. They were both victims of family greed -- the marriage was arranged for them.

Six years passed. She remained quiet, gaining a reputation in the army as a tough-as-nails colonel. When she walked into his life again, Edward fell in love with this woman, unlike any he had known. She surprised and delighted him. But will Daisy take him back? Can their son keep them together? Can the rift between them be healed? Pick this one up and find out!

This is the story of the youth Wen Leyang, born into the family with an expertise in the cultivation of the Art of Poison.

Riz is a fresh graduate who has been job hunting for a year. In terms of talent, he has no talent. Always a mediocre type of person. The only good point he has is that he is a hardworking person. After so many failed interviews, he starts to get dispirited. However, as he does not so easily give in to that feeling, he resolves to try his luck in the last interview he has.

Indeed, it is his last interview. An accident occurs on his way there.

When he opens his eyes, he is in the middle of the forest, tattered clothes with blood on it.

“Th-this...”, Riz was shocked as he found his body smaller than it should be.

It didn't take him too much time to understand everything that happened. He becomes the youngest son of a count.

Finding himself in the backward world, he who has no ambition previously is in a dilemma. At first, he just wants to live quietly and enjoy the richness and privilege as a noble. But then circumstances push him in a different direction.

One event led to another, now he finds himself at the top of power.

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Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.