I Can Upgrade My Talent In Everything - Chapter 380 - 380 Too much talent

Chen Rui, an otaku from earth, is reborn into a human body in another world, who falls into the legendary evil, brutal world of the devil called Mozu where humans are treated as food. He has to survive while facing horrors of the devil, violent dragons and a variety of power enemies depending on a strange super system chip and his wits. Surrounded by Devil’s beauties such as black-bellied lolita princess, cold queens, violent dragons, charming poisonous devils …

Wanting to live in the Devil’s world is hard! Wanting to live in the Devil’s world as a human is harder! Wanting a human to be the devil’s son-in-law is hardest!

Let us see how a small otaku uses power and strategy step by step starting from an ordinary human to writing a legend as the devil’s greatest son-in-law.

- Description from Novelupdates

Su Yu grew up in a single-parent family with his father. He lived a relatively simple life and was not someone with grand ambitions. He only aspired to join a research academy and get a job as a researcher, staying far away from the dangerous battlefield. His peaceful life was shattered one day when his father, a retired veteran, decided to return to the battlefield.

Worried about his father, Su Yu embarked on a journey to gain enough strength to join his father on the battlefield. What was the fastest way to gain strength? Joining a war academy. Or was that really the case? Su Yu soon learned that the path of a researcher was not as it seemed. Unlike the war academies that focused on physical cultivation, the research academies walked a different path: mental cultivation. Which path would Su Yu choose?

Join Su Yu in his adventures as he walks a unique path of cultivation and rises to the apex of cultivation.

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A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

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The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.