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... ers that "embodied" the seven deadly sins. It may sound simple when you think about it that way, but each death was gruesome and full of motives.
Now, the job of the screenwriter and the writing partners was to make the motives believable. The plot had to be logical, as did the scenes. To make every character complex and alive.
New Line Cinema wanted to change the ending because it was too disturbing but both Kazir Grey and David Fincher fought against it. In their opinion, the e ...
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