Goblin Dependency - Chapter 110 - 81: The Story (Two in One)

Nexus found himself transmigrated into an isekai of magic, where he encountered a captivating Dual Cultivation System. Realizing the importance of this system for his progress, he embarked on a quest to seek out girls who would wholeheartedly participate in the practice of dual cultivation alongside him. Failure to find willing partners meant that his ability to upgrade and advance would be severely hindered.

Unfortunately, it appeared that the inhabitants of this magical isekai realm were oblivious to the concept of dual cultivation.

Thankfully, within this realm, there existed a race known as succubi. These non-human beings possessed the ability to nourish themselves through the consumption of men's semen. Regrettably, they were considered undesirable by humans. Yet, Nexus discovered that he was an exceptional match for these succubi, forming a natural bond that made them highly compatible partners.

Furthermore, Nexus encountered a stark contrast between the techniques described in the Xianxia novel he possessed and the actual magic present within the isekai realm. The disparity was substantial, requiring him to invest a considerable amount of time to acclimate himself to this unfamiliar form of magic.

With his newfound allies, Nexus set out to make a profound impact on this new world.

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A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.

Shen Huai was abandoned by his artists, and took over one who no one was optimistic about net black newcomer Ye Cang.

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