Dungeon Predator - Chapter 515. Great Change (1)

[R18 - Contains SMUT & UST]

“Fuck the rich!” Xue Ning declared.

“I'm rich - fuck me - not anyone else!”

As the second son of a billionaire, Sun Jingwei is undoubtedly rich, handsome and a playboy - but now he's been ensnared by his new bodyguard who hates rich people with a passion!

How can he insert himself into her 'fuck the rich' motto?

What happens when they end up married in the eyes of the public?

Here is the slowburn love story between a billionaire’s handsome playboy son and his new straight-laced, sarcastic wannabe-bodyguard wife that looks like a cute kitten!

EXCERPT:

“Oh good, you received my delivery!” was his excited reply.

“Did you accidentally mix my outfits with the ones meant for your girlfriend?” Xue Ning asks flatly.

“Of course not! I don’t have a girlfriend! All these are handpicked for you!” Jingwei exclaims.

“You handpicked underwear for me?!” She squawks, face red. “We’re not that close!”

“How can you say that? You’re practically my saviour! I owe you a life debt!” Jingwei argues. “Sexy underwear is the least you deserve!”

“You’re giving your saviour underwear?” She asks incredulously in return. “Do you not find anything weird with this?”

After traversing through time, Li Xuan was delighted to have become the second son of Earl Chengyi's mansion, as well as a proud warrior of Liudao Fumo. However, just ten days into his privileged life, he faced fierce female supervisors, terrifying ghost-girls, and spiteful demonesses one after another.Amidst this whirlpool of challenges, Li Xuan claimed he didn't feel a bit panicked. A few years later, standing above the Yangtze River, he swung his sword, and with that, thousands of miles of landscapes were instantly frozen.Where will the demoness escape to? Take my sword!

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.

“You’re not taking me to bed. Ever.”