Discordant Note | The Beginning After the End SI - Chapter 4: Pest Control

Ye Sui has been transmigrated into a book and became the venomous villain. And because she looked a little similar to the white lotus female protagonist, she was regarded as a replacement by the male protagonist. Ye Sui was also married to the main character’s third Uncle, Chen Shu, who was jinxed to ruin the life of whoever marries him

Immediately after she got transmigrated, she became the malicious and conceited villainess with a husband named Chen Shu, who was about to divorce her. Ye Sui could see ghosts, however, as soon as she touched Chen Shu, the ghosts would disappear.

Chen Shu, who was preparing for divorce,was shocked upon his return to his home. As his wife suddenly hugged his thigh and begged, “No divorce, even if you beat me to death I will not sign the divorce paper.”

Chen Shu: “…”

It was rumored that Ye Sui has a hard life. She married Chen Shu, a good for nothing husband who escaped death at the age of 30. But this sickly husband of hers actually had tens of billions of dollars in wealth.

Ye Sui almost believed that her life is doomed until she slowly realized it.

Her husband is omnipotent and the family is getting richer and richer.

That Tea is actually a priceless antique tea..

A replica vase in Tang Dynasty was actually authentic…

She soon found out her husband, Chen Shu, was a super rich and invisible wealthy man.

[Group Pet + Double A + Paranoia + Shuang Wen + Chasing Girl Crematorium]

In the group favorite article, Nan Qiao is a female supporting role who has been robbed of the heroine’s halo, and is cast aside by her father, three brothers, grandparents, and friends.

The father wants to break away from her, the three older brothers only dote on the step-sister, and the patriarchal grandparents also dote on the stepmother’s daughter.

The fiance said: “Don’t stalk me, the person I love is Zhizhi.”

Father: “Nan Qiao, can you stop messing around, your sister is your savior.”

Brother: “Nan Qiao, I’m so disappointed in you.”

Second brother: “You actually hit your sister with your own hands, don’t you know that my sister is weak and can’t stand it?”

Third brother: “I didn’t expect you to be so heartless.”

Grandpa and grandma: “Let her get out, our Nan family doesn’t have such unworthy descendants!”

After being reborn, Nan Qiao suddenly came to her senses. Since you all dislike me and abandon me, then this time I won’t let you all go.

He turned around and inherited his grandfather’s billions of property, and was doted on by his seven elder brothers.

The bossy brother, the top-ranking second brother, the professor’s third brother…the buddies are crazily competing for favor.

Just when Nan Qiao was doing well, he was targeted by the top villain BOSS in the original text.

Huo Yichen pinched Nan Qiao’s chin, narrowed his narrow and deep eyes slightly, his eyes were cold and tired, “Why, you want to run away without taking responsibility for teasing me?”

…

Just when Nan Qiao thought everything was over, her family members were reborn one after another and remembered the memories of her previous life just like her.

The family members who abused her thousands of times begged her to go home with red eyes and frenzied expressions.

“I’m sorry, Jojo, I was wrong”

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.