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... awaits me, carrying the backpack would only get in my way. I decided to put everything, including the tablet, into the backpack. If I walked along the coastline, I wouldn’t get lost and would be able to get back to this rock field.

Ichinose said that this was the place where Tsukishiro prepared to bury me.

Groups that had the same schedule as I was probably assigned a completely different designated area. I would have liked to confirm this, but I also wanted to avoid losing one po ...

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Interview (YGZ – Father, ZZ – Mother, ZW – Son)

1. What is something you carry everywhere with you?

YGZ: A gun.

ZZ: I prefer being indoors, specifically inside a lab.

ZW: Anything that has access to the internet.

2. What is your favorite hobby?

YGZ: Shooting.

ZZ: Experimenting.

ZW: Hacking.

3. What is your worst fear?

YGZ: My wife’s cooking.

ZZ: My lab burning.

ZW: No access to the internet.

4. What is your spirit animal and why?

YGZ: A Bigfoot – has hands to hold a gun.

ZZ: An eagle – has good vision, useful for observing.

ZW: A Spider – can spin a web.

5. What is your biggest regret?

YGZ: Letting my wife escape after our first night.

ZZ: My son being a genius. I chose YGZ to be the father of my child because I thought he was a limbo.

ZW: Not reuniting my parents sooner.

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Qin Lin was playing a nostalgic game called “Ranches Story” when he was electrocuted. He suddenly discovered that he had the ability to enter into the game. He could even bring a watermelon he had planted in the game back to reality.

At first, his plan was to sell watermelon for 2 yuan a catty. In that case, he could earn 20,000 yuan by planting 10,000 catties worth of watermelon in the game every day and selling them in reality.

Later on, he discovered that by leveling up his ranch, he could obtain high quality crops that surpassed that of the real world. If he reared livestock, they were of far higher quality than that of reality. After he built factories, he obtained various recipes that far surpassed that of the real world. Everything changed after that.

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Is Magic really just a wish machine? No! In a universe where Magic truly exists, the ultimate nature of Magic must be as simple and aesthetically pleasing as the laws of physics. This is the story of a mass-produced magical war tool who learned the ultimate nature of Magic. But what of it? Just as birds can fly without understanding aerodynamics, magicians can use Magic without grasping its ultimate nature. Learning the ultimate nature of Magic doesn’t mean the tool can instantly transform into a great magician. But yearning for knowledge is a human instinct, and curiosity is the primary driving force of human civilization. Even for Magic, which should seemingly defy explanation, humans hope to understand its inherent operational laws. The pursuit of Magic’s ultimate nature requires no reason! The story in this book takes place in an era where steel and gunpowder dance together. Here, firearms are on the rise; armor remains the main character; military theory is changing rapidly, with endless innovations in systems and techniques. And this world has something more than ours: Magic. The world is undergoing a profound transformation, and no one can remain detached from it...

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George Sterling, once a successful lawyer turned actor, then turned magician, finds himself in dire straits as the rise of Artificial Intelligence takes away all his livelihoods. As he nears the end of his life, a family heirloom, a mysterious ring passed down from his father, transports him to an unfamiliar world seemingly distant from reality.

Upon awakening, George discovers a newfound opportunity that awaits him. Initially tasked with portraying the Wizard of Oz to survive, he delves into this new role. However, as he embraces his new identity, an even greater challenge lies ahead: he must venture into the realm of pretending to be a god.

This book uses characters and elements from L. Frank Baum's original Oz series which has entered the public domain and allows me to use them in my original book as long as I do not use the characters and elements from the adaptations that haven't entered the public domain.

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