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... es for a while before duties requested their presence elsewhere. Alexander was a jack-of-all-trades in politics, so he went wherever the planet needed him. Meanwhile, Khan had more specific tasks to attend to.

A lesson with Moses, Roger, and Professor Parver unfolded. Khan kept hammering down the fundamental theories of his alien arts, gradually starting to accept questions to clear eventual doubts. The trio was nowhere near understanding those explanations, but Khan had never expected t ...

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wake up.

Luo Qingzhou became a little bastard of the Luo family in the Chengguo Mansion of the Great Yan Empire.

In order to help the second son of the Luo family regret his marriage, Luo Qingzhou was forced to marry into a married woman and married a foolish bride who was said to be unable to speak or laugh.

It wasn’t until after worshiping heaven and earth and after the wedding night in the bridal chamber that he suddenly realized:

“My wife, something is wrong!”

Not only is there something wrong with the lady, even the two little maids beside the lady and the rest of the Qin family are all wrong!

The big maid is sweet, charming and seductive, with a voice like a lark;

The little maid was as cold as ice and snow with a murderous aura, her throat was sealed as soon as she drew her sword.

My sister-in-law is talented, and she is as delicate and beautiful as Lin Daiyu.

The little cousin is arrogant and domineering, and the whip is fatal.

The father-in-law has a serious face, but secretly speaks dirty words.

The mother-in-law is as beautiful as a flower, and she loves to roll her eyes at the top of her head.

The second elder brother devoted himself to practicing martial arts and said that he wanted to honor his ancestors.

As for Luo Qingzhou, he just wanted to be a son-in-law honestly, and then sneak around and be invincible…

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MTL - 70s: Dressed As a Villain’s WifeChapter 119 [Latest] Conclusion
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Su Xiaoman is a fake daughter of a wealthy family. She is not related to her biological parents. She is rejected by her adoptive parents.
When she woke up again, she found herself wearing a book and became the village flower Su Xiaoman in the 1970s.
Su Xiaoman is the best wife of a chronology villain male supporting role.
The original Su Xiaoman, who dislikes poverty and loves the rich, is devoted to climbing high branches, and is obsessed with Jiang Yantang, the educated youth male protagonist who just went to the countryside.
Su Xiaoman is unwilling to marry Xie Mingtu because of his innocence, and is still obsessed with the male protagonist Jiang Yantang. Who knows that not long after, the second brother of the male protagonist Jiang Yantang went to the countryside to visit relatives, and found that the poor boy Xie Mingtu was the child of the Jiang family, and the male protagonist Jiang Yan Tang was held wrong.
Xie Mingtu returned to Jiang’s house in the courtyard, but he was ridiculed and ridiculed because he was gloomy and vulgar, and he couldn’t compare to the fake boy Jiang Yantang, and his wife was even more obsessed with Jiang Yantang…
In this way, Xie Mingtu was completely blackened, mad and ruthless, and became the biggest villain in the book, and ended up tragically.
When Su Xiaoman opened her eyes, Xie Mingtu, the biggest villain in the book, was about to feed her rice soup. Her clothes were tattered and her bones were thin. When she saw her wake up, her tone was humble and cautious:
“Manman?”
When Xie Mingtu thought that the woman would not give him any response, a pair of slender and tender hands grabbed his thin wrist.
The former wealthy fake daughter x the real son of the courtyard
[Growing-up male and female protagonists, the male protagonist has super potential. In the early days, he drove a tractor in the village, and later joined the army to fly a plane. 】

Content tags: sweet text through the book chronological text
Search keywords: Protagonist: Su Xiaoman ┃ Supporting role: ┃ Others:
One sentence introduction: True and false collision.
Purpose: work together, work together to become rich, and live an optimistic and positive life in the era of struggle.

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