Amukelo: The Burdened Path - Chapter 101: Issues With Tailoring

Driven by his need for revenge, Lazarus, the Lore’s most ruthless vampire, plots to seize the throne of Wilyra and rule it along with his betrothed, the fae goddess Maeve who thrives in a borrowed body.

Lazarus has a perfect plan—until he finds Emmalyn, a young mortal who is the daughter of the rebel leader of blood vassals in his kingdom and an integral part of his plan. He captures the young girl to cast her soul out for Maeve.

Emmalyn yearns for a better life to escape from her stepmother and an indifferent father. She never imagined that they would sell her to the royals to save her brother’s life.

But there’s only one problem. Emmalyn tempts Lazarus beyond reason. As the time to cast her soul out draws closer, he must choose between his lust for the throne or his irresistible mortal.

Will Lazarus succumb to lust for power and crown? Or will he risk it all to have a future with her?

Once again, she woke up and became Xiao Yunyi, the second-in-law’s direct daughter Xiao Yunyi, who was in the house of the fifth-grade middle-class book in the overhead world of Beimo, without the protection of her parents.

In order to monopolize the blessings that the original owner’s father had exchanged for his life, the big room not only wanted to kill the original owner, but also calculated the eldest son of the second room, and maliciously wanted to send the young master of the second room, who was born less than 100 days ago, to someone else as an adopted son. It is extremely vicious. .

After just getting along and finding out the situation in the mansion, before thinking about how to get rid of the uncle’s family’s calculations in the future, he got the news that the mansion was implicated by the family’s direct branch and would be exiled to the border.

On the way to exile, they were also disliked and run on by their so-called relatives. They were not afraid, not afraid, and never gave up their space, maddening those who wanted to see their jokes.

As for Jing Rui, who grew up in the border military area, since his head was broken by his eldest brother, his temperament has changed greatly, and he is no longer the pitiful little one that everyone can expect.

Relying on his own ability to rise step by step, his mind is full of strong himself, to find the little woman who met him in his past and present life.

It is said that thousands of miles of marriage are connected by a single thread. The past and present life are all fate, and there is God’s will in the dark. It can be said that there is no place to step through the iron shoes, and it takes no effort to get it. It’s wonderful!

When they meet again, they accidentally learn about the old secrets. In the face of sinister people and deep hatred, they will turn him upside down.

See how Yunyi protects her younger brother, and how the two couples continue their frontiers, overcome difficulties, and join hands to create a prosperous world.

A series of texts from the female and male protagonists of crossing the Xiaoyao family~~~~~~

- Description from novelbuddy

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.

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