After Transmigrating as a Demon, I've Been Adopted by Angels! - Chapter 303 - The Old Shall Not Go, and The New Shall Not Come!

The tombs of the gods have appeared in the world!

Tong, a sinner who was suffering endless torment in hell because of his mistake he had done in his previous life, was giving other chance to redeem himself by the devil.

What if I told you, right now, everything you know about what happens after death is a lie?

What if I told you that there is no afterlife after death, just an endless cycle of reincarnation after wiping your memory?

What if I told you that there is a way out of the cycle of reincarnation and all you have to do is wear a religious artifact, and if you die with it on, you are given the opportunity to reincarnate into a world of your choice while keeping your memories?

Would you take it...or would you continue with the mundane cycle that has gone on since the beginning of time?

This is a story about two brothers, one is a responsible police officer, the other a heartless weeb, who died during WW3 and are offered the opportunity to reincarnate into another world as brothers once more.

Upon their death, they are summoned to a mysterious Realm named the Hall of Gods, where they obtain a Game-like System from the Raven God Odin and The God of Light Yahweh.

Once the system, named The Over-Break System, is installed into their souls, the brothers are Reincarnated into a massive, ever-expanding, technologically advanced fantasy world called Vinestra, as newborn babies with the names, Cynrik and Brance Jetlensr.

But, in Vinestra, things aren't as they seem. Several types of Spatial Tears called “Egresses” frequently open up to an unknown dimension where monsters who drop items when killed spawn.

Cynrik and Brance, under the watchful eye of their respective Deities, learn how to utilize their new system, to become powerful existences who wield Mana like their plaything. But are they in control of their lives, or are the Deities?

((THIS STORY IS WRITTEN IN A VERY SPECIFIC WESTERN FORMAT, WHERE CERTAIN CHARACTERS WILL BE HIGHLIGHTED IN CERTAIN WAYS MORE THAN OTHERS! AT ITS CORE THIS STORY DOES HAVE 2 MAIN CHARACTERS EVEN IF EARLY ON IT DOES NOT SEEM THAT WAY!))

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.