A New India - Chapter 74: The China Crisis - II

“Master Ouyang, please smith a divine weapon for me!”

“Master Ouyang, you’re the only person who can forge a weapon with seven attributes. Please make my dream come true!”

“Master Ouyang, could you…”

“Ouyang my *ss! My surname is Ou!”

Ou Yangming was an orphan who was adopted by a reputable old blacksmith from a military camp. After working as a helper under the old man for years, he was given a chance to acquire the Military Fire—a trait allowing him to smith and restore equipment with the Military Fire produced from his hands.

Gifted with mental power, Ou Yangming controlled his Military Fire unusually well and was also strangely talented in martial arts. On top of it, he could also attach Unique Attributes into weapons with a hundred-percent success rate. Those who belittled Ou Yangming because of his background and age eventually honored him so much that they would do anything to get their hands on his equipment.

Little did Ou Yangming know that as he slowly unfolded the mysteries of the Military Fire and his mental power, he was advancing step by step on the immortal path to Heaven!

An unnamed 34-year-old Japanese NEET is evicted from his home following his parents' death.

Upon some self-introspection, he concludes that his life was ultimately pointless.

Walking down a street he intercepts a speeding truck heading towards a group of teenagers, in an attempt to do something meaningful for once in his life he manages to pull one of them out of harm's way before getting himself in the way of the truck and dying.

Awakening in a baby's body, he realizes he has been reincarnated in a world of sword and sorcery.

He resolves to become successful in his new life, discarding his past identity for his new life as Rudeus Greyrat.

I, Ichinosuke, failed to get a job for 100 consecutive times. Furthermore, my record is still being updated as unemployed.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.